Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after

Analyzing an eclectic history of film and related media, Split Screen Nation argues that popular visions of the American West and the American South must be tho

Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, in