Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance

Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance
Author :
Publisher : Bloomsbury Publishing
Total Pages : 264
Release :
ISBN-10 : 9781408143742
ISBN-13 : 1408143747
Rating : 4/5 (42 Downloads)

Book Synopsis Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance by : Jonathan Hope

Download or read book Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance written by Jonathan Hope and published by Bloomsbury Publishing. This book was released on 2014-09-26 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This book is nothing short of brilliant. It is bursting with new observations, pithy readings and sensitive analyses. One of Hope's skills is to show us that 'language' is not separable from 'ideas'; both are systems of representation. This is a book about words, conventions, artifice, mythology, innovation, reason, eloquence, silence, control, communication, selfhood, dialect, 'late style' and much, much more. After reading Hope's book you will never read Shakespeare in the same way.' (Professor Laurie Maguire, Magdalen College, Oxford) Our understanding of words, and how they get their meanings, relies on a stable spelling system and dictionary definitions - things which simply did not exist in the Renaissance. At that time, language was speech rather than writing; a word was by definition a collection of sounds not letters - and the consequences of this run deep. They explain our culture's inability to fully appreciate Shakespeare's wordplay and they also account for the rift that opened up between Shakespeare and us as language came to be regarded as essentially 'written'. In Shakespeare and Language, Jonathan Hope considers the ideas about language that separate us from Shakespeare. His comprehensive study explores the visual iconography of language in the Renaissance, the influence of the rhetorical tradition, the extent to which Shakespeare's late style is driven by a desire to increase the subjective content of the text, and contemporary ways of studying his language using computers.


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