Identity, Culture, and the Science Performance, Volume 1

Identity, Culture, and the Science Performance, Volume 1
Author :
Publisher : Bloomsbury Publishing
Total Pages : 281
Release :
ISBN-10 : 9781350234086
ISBN-13 : 1350234087
Rating : 4/5 (86 Downloads)

Book Synopsis Identity, Culture, and the Science Performance, Volume 1 by : Vivian Appler

Download or read book Identity, Culture, and the Science Performance, Volume 1 written by Vivian Appler and published by Bloomsbury Publishing. This book was released on 2022-08-11 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets is the first of two volumes dedicated to the diverse sociocultural work of science-oriented performance. A dynamic volume of scholarly essays, interviews with scientists and artists, and creative entries, it examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations. The book's chapters trace the theatrical and ethical contours of live science events, re-enact historical stagings of scientific expertise, and demonstrate the pedagogical and activist potentials in performing science in community settings. Alongside the scholarly chapters, From the Lab to the Streets features creative work by contemporary science-integrative artists and interviews with popular science communicators Sahana Srinivasan (host of Netflix's Brainchild) and Raven Baxter (“Raven the Science Maven”) and artists from performance ensembles The Olimpias and Superhero Clubhouse. In exploring the science performance as a vital but flawed method of public engagement, it offers a critique of the racist, ableist, sexist, and heteronormative ideologies prevalent across the history of science, as well as highlighting science performances that challenge and redress these ideologies. Along with its complementary volume From the Curious to the Quantum, this book documents the varied ways in which identity categories and cultural constructs are formed and reformed through science performances.


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