The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642

The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642
Author :
Publisher : Oxford University Press
Total Pages : 259
Release :
ISBN-10 : 9780192595812
ISBN-13 : 0192595814
Rating : 4/5 (12 Downloads)

Book Synopsis The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642 by : Siobhan Keenan

Download or read book The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642 written by Siobhan Keenan and published by Oxford University Press. This book was released on 2020-05-06 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642 is the first study to focus on the history, and the political and cultural significance, of the travels and public profile of Charles I. As well as offering a much fuller account of the king's progresses and Caroline progress entertainments than currently exists, this volumes throws fresh light on the question of Charles I's accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the political conflicts which culminated in the English civil wars and Charles's overthrow. Drawing on extensive archival research, the history opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practiced by Charles I. Part I explores the question of the king's accessibility further through case studies of Charles's three 'great' progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles's spectacular royal entry to the city on 25 November 1641. More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his subjects or able to deploy the propaganda power of public display as successfully as his Tudor and Stuart predecessors.


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