From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière�
The 'greatest hits' of French classical theatre, in vivid and acclaimed new Penguin translations by John Edmunds and with editorial apparatus by Joseph Harris.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the publi