With its first public live performance in Paris on 11 February 1896, Oscar Wilde's Salomé took on female embodied form that signalled the start of 'her' phenom
Salomania and the Representation of Race and Gender in Modern Erotic Dance situates the 1908 dance craze, which The New York Times called “Salomania,” as a
During the first three decades of the twentieth century, Salome rose from a minor biblical character to a cultural icon famous for a striptease known as the “
The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the fiel
A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows d