In John Ashbery’s haunting 1992 collection, just as in the traveler’s experience of a hotel, we recognize everything, and yet nothing is familiar—not even

In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could

Just as the look of the American landscape has changed since the nineteenth century, so has our idea of landscape. Here Bonnie Costello reads six twentieth-cent

John Ashbery and You approaches Ashbery’s critically neglected recent poetry with an ear to his use of the supremely elastic pronoun “you” and an eye towa

The Electronic Poetry Center (EPC) of the State University of New York (SUNY) at Buffalo presents selections from "Tribe of John: Ashbery and Contemporary Poetr