This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. B

The 19 papers of this collection were first presented at the 1999 History and Images Congress held at the U. of Copenhagen in Denmark. As reflected in the subti

This volume is a unique publication as it examines the Marxist attitudes in East Central European historiography and archaeology for the first time, with an emp

"Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attenti

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it