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The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom imp
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This book offers the first extended analysis of film stardom in Fascist Italy, focusing on the period from the start of sound cinema to the final end of Fascism
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David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs