Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the co

There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-struct

Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his in

Schoenberg's theory of "composition with twelve tones" dominated international composition through most of the 20th century — and this edition collects the fi

In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a seco